“Singing
I love rock and roll
So put another dime in the jukebox, baby
I love rock and roll
So come and take the time
And dance with me”
So put another dime in the jukebox, baby
I love rock and roll
So come and take the time
And dance with me”
“I love rock and roll”
– so the hit song by Joan Jett goes. That “love” for the music
permeates nearly every facet of American society. Since the 1950s,
the music has influenced family lives, teenage behavior, and social
movements such as civil rights and anti-war protests. Rock music
continues to influence the culture and reflect its changes.
Yet, from the beginning,
rock had strong opposition. Because rock and roll originated among
the lower classes and a segregated ethnic group, many middle-class
whites thought it was tasteless. Rock and roll records were banned
from many radio stations and hundreds of schools.
Associate professor of
economic and author, David George Surdam, relates ...
“Commentators
ranted indignantly about the new music. Frank Sinatra complained that
rock’n’roll featured: 'cretinous goons' who used 'almost
imbecilic reiteration and sly, lewd, . . . dirty, lyrics' to become
the 'martial music of every side-burned delinquent on the face of the
earth.' The New York Times quoted psychiatrist Francis Braceland, who
called rock’n’roll, 'a cannibalistic and tribalistic form of
music.'
“Rock’n’roll’s
destructive and subversive force knew no bounds. A Florida minister
claimed that 'more than 98% of surveyed unwed mothers got into their
predicament while under the influence of rock’n’roll.' New Jersey
Senator, Robert Henrickson claimed, 'Not even the Communist
conspiracy could devise a more effective way to demoralize, confuse,
and destroy the United States.'”
Despite the resistance,
the subversive, brutish beat captured the hearts of young America.
Rock was not only “cool,” but also exciting. And, it stimulated
much more than the minds of the youth. The term “rock and roll,”
once a sexual code word in blues songs, became a recognizable
euphemism for all the physical rhythms set in motion by the beat.
Most could not verbalize
their passion for the music, but instead instinctively “moved with
the groove.” What rock dinosaur can forget Dick Clark's American
Bandstand with its "Rate-a-Record" segment justifying
potential hit songs with the phrase "It's got a good beat and
you can dance to it"?
Indeed, teens loved the
rebellious music in part because its recognizable beat drove the
soundtracks of their lives while celebrating the joys of being young
and occasionally expressing the frustrations of youth. They totally
identified with the lyrics as the music gave them a base of shared
ideals distinguishing them from their parents' generation. Rock and
roll reflected society like no other musical form.
“Until
I realized that rock music was my connection to the rest of the human
race,
I felt
like I was dying, for some reason, and I didn't know why.”
– Bruce
Springsteen
Rock and roll began to be
commonly accepted as popular American music. As it did, it helped
create a new generation. Simply put, it changed things … almost
everything followed the beat. America, in its traditionalist state
after World War II, was ripe for a diverse transition. The music
influenced daily life, fashion, attitudes, and language in a way few
other social developments have equaled.
Over the years, rock and
roll exploded in a technicolor transition of its many forms.
Rockabilly, blues rock, psychedelic rock, British rock, country rock,
southern rock, progressive rock, metal rock – all of these
structures flourished and added their own individual styles to the
music. Now rock, in general, colonizes other musical genres while
blurring musical boundaries.
The
music traveled everywhere with the people. Rock became ubiquitous –
a constant companion in public places and with every sort of
activity. Sound devices like transistor radios, car radios and tape
players, jam boxes, Walkmans, and eventually smart phones delivered
the music to the masses. Listening to music no longer referred to an
activity in to a special place or on an important occasion but,
rather, these machines caused rock and roll to a staple of
recreation, and even a background at work. It remains instantly
access able for public consumption.
“There's always
something magic
There's always something new
And when you really really need it the most
That's when rock and roll dreams come through
The beat is yours forever
The beat is always true
And when you really need it the most
That's when rock and roll dreams come through....for you”
There's always something new
And when you really really need it the most
That's when rock and roll dreams come through
The beat is yours forever
The beat is always true
And when you really need it the most
That's when rock and roll dreams come through....for you”
From “Rock and Roll
Dreams Come Through,” Meatloaf (Jim Steinman)
But, any true lover of
rock will profess to the music's greatest appeal. More than any other
form of art, rock and roll creates dreams. It is the Mystery Train, the conveyance of the imagination.
As the music casts its
spell on the listener, the drums, the guitars, the vocals, and the
keyboards push the imagination and fuel personal desire. Elvis,
Little Richard, Chuck Berry, the Beatles – all of the greats
employed their own magic to uplift the masses to greater levels of
euphoric emotion. People took from the music what they needed to fuel
their own fantasies and aspirations.
“Hey hey, my
my
Rock and roll can never die
There's more to the picture
Than meets the eye.
Hey hey, my my.”
Rock and roll can never die
There's more to the picture
Than meets the eye.
Hey hey, my my.”
“Hey Hey, My My,”
Neil Young
Now, rock and roll has
matured, and during its many years of existence, it has suffered its
share of scars and bruises. Drug abuse, payola scandals, racial
prejudice, commercialism, government censorship – all hurt the
music. In retrospect, one can make a case that MTV, the Internet, and
corporate radio effectively suppressed the form. Yet, rock and roll
is not dead. The music still inspires young artists and listeners.
You see, the “more to
the picture than meets the eye” is just one more mysterious rock
allusion that comprises the dreamscape of rock and roll music. No
amount of analytical examination of lyrics, of melodies, of context,
or of history can demarcate the ethereal presence of the music. It is
there waiting on the next generation. As it continues to drift
through the airwaves, rock and roll creeps into every crevice of
America. Long live the music … and, of course, the beat.
“Just, let me hear
some of that rock 'n' roll music
Any old way you choose it
It's got a back beat, you can't lose it
Any old time you use it
It's gotta be rock 'n' roll music
If you wanna dance with me”
Any old way you choose it
It's got a back beat, you can't lose it
Any old time you use it
It's gotta be rock 'n' roll music
If you wanna dance with me”
“Rock and Roll
Music,” Chuck Berry
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